Every so often a series comes along that is a haven, a resting place, a place of nourishing and respite where you catch a glimmer of something longlasting. Such a series stands out from the crowd the way that a single ray of light slices through an entire overcast sky. Chuunibyou Demo Kai ga Shitai is a series like that; it is heartwarming, innocent, hilarious, fragile, beautiful, real, and far, far, too short. I’ve put off writing about it because summarizing it meant an end to the dream.
Chuunibyou is the story of Rikka, who has a serious case of 8th-grade syndrome. What is that? Eighth-grade syndrome is the (over-)dramatic expression of living as your own self-created super-hero, at least that’s what it means initially. The problem is that she is an admirer of her next-door neighbor, who is one year older. He too was once in the grip of eighth-grade syndrome, but has abandoned it (mostly) now that he is in high school. Rikka has not.
The main characters are:
- Rikka Takanashi (Wielder of the Tyrant’s Eye)
- Tooka Takanashi (The Priestess) — Rikka’s older sister
- Yuuta Togashi (Dark Flame Master)
- Sanae Dekomori (Mjollnir Hammer) — Rikka’s faithful servant
- Shinka Nibutani (Mori Summer) — Sanae’s foe
- Kumin Tsuyuri — the nap girl
- Isshiki — Yuuta’s friend, hopelessly in love with Kumin
The story charts, with tender detail and depth, the relationships between each of these characters as they get to know one another, and as the winds of romance whirl through their lives. There is character development in spades, and the plot flows from that, as they struggle to keep their club in good standing, and as the school year begins and ends.
I haven’t included a guide because each and every episode is worth watching, with the last four or so the best of all. However, if you want a feel for the show, check out the Chuunibyou Demo Kai ga Shitai Lite mini-episodes. If you can’t find them, then I’ve hosted episode #3 here.
There are rare bits of uncool material, and by rare, I mean a few seconds worth once in a while. For instance, two moments during the beginning and ending themes; profanity crops up now and again, but nothing blasphemous. There’s one non-serious reference to a black mass. Some risque material crops up with the same frequency, but it’s openly derided; no pervy camera angles in the series itself.
Highly recommended by OO.
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